paper, painted undyed cotton and canvas, wooden chair, 2022
In the Chinese folktale of Ma Liang, the artist is given a magic paintbrush from which his depictions become real. Yet is it the brush that holds the power, or the paper itself? In the Taoist concept of pu, a state of unformed potentiality, it could be said that forms hover beneath the surface of the page, waiting to emerge.
Installed at Offspace Flüelastrasse