FICTION & HYBRID
“The Unknown Self,” UAAD, 2024
“Spectral City,” Wantalon, 2023
“Zurich Triptych,” Sine Theta Magazine, 2022
“Evening in Reykjavik,” Spells Magazine, 2017
“The Deluge,” The Forgetory, 2016
ESSAY
“Digital Architectures,” Empty Set Magazine, 2025
“A Map of Planetary Systems For Collaborative Futures,” Intervenxions, 2024
“In the Shadow of War,” The Amp, 2023
“Fernweh, Again,” Diacritics, 2023
ART WRITING
“‘Dirty and Disorderly’ at Mass MOCA,” Boston Art Review, 2025
“Stephen Hamilton Weaves African Craft and History On and Off the Loom,” Boston Art Review for The Boston Triennial, 2025
“Rachel TonThat on Born Digital at Kunsthaus Zurich,” Reading Rämistrasse, Kunsthalle Zurich, 2024
“Rachel TonThat on Rebekka Steiger at Galerie Urs Meile,” Reading Rämistrasse, Kunsthalle Zurich, 2023
“Nuru Heritsialonina, Rachel TonThat and Hella Wiedmer-Newman on Blinde Flecken at the Stadthaus,” Reading Rämistrasse, Kunsthalle Zurich, 2023
“Murmurs of the Deep: Laura Arminda Kingsley in conversation with Rachel TonThat,” Intervenxions, 2023
“Rachel TonThat on Sky Hopinka at Luma Westbau,” Reading Rämistrasse, Kunsthalle Zurich, 2022
“On What Animism Could Be—,” Sonnenstube, 2022
“Places Unknown, Spaces In-Between,” Egg ZHdK, 2022
“The Motion of Affects,” Gepäckausgabe Glarus, 2021